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    <loc>https://www.uniculteducation.com/about</loc>
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    <lastmod>2024-08-31</lastmod>
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      <image:title>About</image:title>
      <image:caption>Super summer school! MILENA DRAGICEVIC SESIC</image:caption>
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      <image:title>About</image:title>
      <image:caption>It was indeed an extraordinary week with really interesting students and interactions.  NINA OBULJEN KORZINEK</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1489456358571-QIIFL9P4NY2HLD4EJH22/13585103_1753511228225221_6902454932823962167_o.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>The concept is unique, promising, well done so far, and certainly has the potential to become a focus point in the European and international cultural management training and education for many years to come. LIDIA VARBANOVA</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1488588846869-2SAMVCXR98CRCIC4A7L6/13640898_1753510931558584_5135514804810623151_o.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>A great group of young culture makers and a great step forward. I’m convinced that this year’s Unicult has a strong impact on the participants. CHRIS TORCH</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1488653402208-8HBG28D3T7KQMBUWWJEX/13691146_1755845597991784_4840180665204079467_o.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>It was my pleasure and honor to meet such an engaged professional expert group who wants to make a difference! ROBERT MANCHIN</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1488766224428-QS4VRB568JPUSTB2QOUE/13582186_1753950991514578_4042565507835402982_o.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>My unicult2020 second edition journey was the best experience I have ever taken part in. Building my personal capacities in cultural management was driven by the interesting lectures, great discussions, practical work and unique experiences with each other. I gained much knowledge and built many relationships with amazing people. MALBORA KRAJKU</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1488587065249-9TOYGQEXILDAQWALMVUW/13669477_1755012974741713_5478764435853548687_o.jpg</image:loc>
      <image:title>About - The experience is excellent. DARKO LUKIC</image:title>
      <image:caption>             </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1489456815858-VP0ZCACK6N6KXT9KM7SM/13680035_1755846517991692_5014564028929663858_o.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Unicult2020 is exactly what I was looking for to fulfill my need as a young cultural manager for continuous learning, constant professional development, knowledge-sharing and inspiration from the most prolific professors and leaders in the field. My favorite activity must be the mentoring sessions: the commitment of your mentor, the connection and partnership created only for your benefit and in your best interest. One of those once in a lifetime educational opportunities ! DIANA CIOCAN</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1488766254941-L2E9BRL2PT0BYOQL23GK/13613490_1753951161514561_2411780740766392811_o.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>It was really great to meet you all this summer in Rijeka. Looking forward to spend more time in the future, why not at Unicult 3?  AIDA KALEMBER</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1489460249284-KQJDHKK3GHOWI4540R32/13613319_1755013011408376_9207908679836221598_o.jpg</image:loc>
      <image:title>About - I will try to bring the positive energy of our Unicult team! FRITZIE ZIE BROWN</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1488549870715-TWG5G3QGXO4S1SFCD87L/13603358_1755013451408332_7869124926280021395_o.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>My beloved friends - I think meeting you is the best thing that happened to me in 2016! HUWA WASHILY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1488657810169-VLB8X823O9F2U0ZEP2YR/13239426_1038794776214612_2191025997582158111_n.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>It is an honour for Susak Expo to be part of it. DANIEL DEVLIN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1488591924631-R1ONIIMBCH4KY2F8BLD8/13709847_1757897074453303_2305307730163728701_n.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Thank you very much for the great experience and people you've added to my life on summer 2016!  YORGOS TAXIARCHOPOULOS</image:caption>
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    <image:image>
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      <image:title>About</image:title>
      <image:caption>  I had a really interesting week. Great students and colleagues! EMINA VISNIC</image:caption>
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      <image:title>About</image:title>
      <image:caption>HVALA RIJEKA I've Had The Time of My Life! DUPUIS CHRISTOPHE</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1489399855172-E2YY4KPIIQXO9NSK2VM0/13575761_1753949911514686_5647720777908533237_o.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Thanks to Unicult 2020 Programme I have met so many wonderful people throughout this 2 weeks of intensive learning. I had the chance to collaborate with and learn from academics, experts and professionals in the cultural field. The mix between lectures and mentoring sessions facilitated the learning process and extra classes activities were enjoyable and inspiring. The programme has provided me with different perspectives and exceeded my expectations. MATEA SENKIC</image:caption>
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    <image:image>
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      <image:title>About</image:title>
      <image:caption>I hope we will stay in touch and eventually do some culture together! :-) ZORAN KRUSVAR</image:caption>
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      <image:title>About</image:title>
      <image:caption>Bata mi Adun Ko Ko Ka :) PRINCE WALE SONIYIKI    </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1488766340837-NWKV0EKVTJV9HZHIH37O/13581960_1753951034847907_42499042670990065_o.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Thank you again for the Unicult experience! PETRA PETER</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1488728640464-LI4XOPJQEDWHKYNVJDKR/IMG_7288.JPG</image:loc>
      <image:title>About</image:title>
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      <image:caption>   </image:caption>
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  </url>
  <url>
    <loc>https://www.uniculteducation.com/home</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-08-01</lastmod>
    <image:image>
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      <image:caption>Marina Abramovic and Ulay, Relation works</image:caption>
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      <image:title>Home - CCA</image:title>
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      <image:title>Home - UNIVERSITY OF RIJEKA</image:title>
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      <image:title>Home - ACCADEMIA DI BELLE ARTI DI VENEZIA</image:title>
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      <image:title>Home - LA BIENNALE DI VENEZIA</image:title>
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      <image:title>Home - PRODUCTIONS</image:title>
      <image:caption>MUSIC FOR AIRPORTS  </image:caption>
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      <image:title>Home - CONTEMPORARY PERFORMANCE PRACTICES</image:title>
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      <image:title>Home - LECTURES</image:title>
      <image:caption>This year’s edition of Unicult2020 will be focusing on Cultural Leadership and Decision Making Processes // Financing the Arts and Culture-part 2. The entire program will start and end with discussions and debates from lecturers that have many years of experience in the field at an international level. The lectures will take part from Monday-Friday, starting from 09:00 at the classrooms of the University of Rijeka. The classroom number will be announced via e-mail with 2 weeks in advance and a person from a team will be guiding participants in need throughout the 2 weeks of the summer school.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58b0491a29687fde0f2fb36e/1488652996251-6PLR1YHBKFQ7Z98X41LC/d14b3a2e93ead7aae7f2bac6caddbb90.jpg</image:loc>
      <image:title>Home - THE MENTORING PROCESS</image:title>
      <image:caption>Mentoring process is described as a developmental process - dynamic and unique to each person. During the two-week summer school, you will be able to meet your Mentors and schedule the mentoring sessions which will take place during the Advisory hours. By following the matching process which is described above the mentoring process focuses on areas as: - Skills Development (helps the mentee learn specific skill sets in order to develop himself/herself, add value to the organization and progress on his/her career path); - Goal Setting/Career Planning (helps the mentee identify his/her professional and personal goals, as well as think about his/her long-term career path); - Problem Solving (helps the mentee develop cognitive skills in order to strengthen the mental process of discovering, analyzing and solving problems to overcome obstacles) and - Networking (helps the mentee expand his/her professional connections and networks). The well-chosen activities by the organizing team of Unicult2020 will assure the participants to achieve all the goals of a mentoring process which will be led by Mentors. The participants will benefit much by being mentee of our program and will develop new skills that will help them on personal and professional growth. They will gain new leadership skills and knowledge by exchanging experiences with one another and also by being advised with anything they need from our amazing mentors.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Home - LET’S TALK ABOUT</image:title>
      <image:caption>Despite lectures and other activities mentioned in program, this special activity of our program is held in an informal manner, bringing together two of our lectures for each afternoon, discussing on a chosen topic and exchanging their knowledge on the subjects they choose to talk about. The format of the Let’s Talk About activity encourages the exchange of information and experiences between all the participants and lecturers together. Participants are invited to contribute to the discussion by sharing their experiences on chosen topics or by giving ideas; therefore at the end of the meeting everyone could have learned something new from each other.</image:caption>
    </image:image>
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      <image:title>Home - BEHIND THE SCENES</image:title>
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      <image:title>Home - NETWORK</image:title>
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      <image:title>Home - TESTIMONIALS</image:title>
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      <image:title>Home - BEACH YOGA</image:title>
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  <url>
    <loc>https://www.uniculteducation.com/classes</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-01-09</lastmod>
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  <url>
    <loc>https://www.uniculteducation.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-31</lastmod>
  </url>
  <url>
    <loc>https://www.uniculteducation.com/faculty</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-20</lastmod>
    <image:image>
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      <image:title>Faculty - DANIELA UREM</image:title>
      <image:caption>Daniela Urem is president of the Croatian Cultural Alliance and the author of Unicult program. She initiated the Arts and Cultural Affairs Office within the University of Rijeka in 2012, designing and coordinating study programs and productions with a focus on career and audience development while opening various forms of international cultural cooperation. In 2013 as part the city of Rijeka nomination for the European Capital of Culture, Daniela created the first cultural capacity building program in Croatia, Unicult2020, the International Arts &amp; Cultural Management and Cultural Policy Programme, an intensive course designed for cultural producers, workers and researchers from Europe and beyond. She graduated psychology at the Pace University, New York. In 2004 she founded the “Doors Art Foundation" in the New York City, where as an artistic director, she produced programmes promoting Croatian culture and art scene to the international audience. At present, Daniela Urem works on several cultural platforms, on cultural development and policies projects, actively participates in capacity building, university-related projects and advocates intercultural dialogue, cooperation and exchange. Daniela is an active member of Culture Action Europe, Regional Cultural Policy and Management Platform and a regular guest lecturer and speaker. UNICULT FACULTY: 2015, 2018, 2019, 2020, 2021</image:caption>
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      <image:title>Faculty - MICHELA MAGAS</image:title>
      <image:caption>Michela Magas has a track record of 20 years of innovation. Her work bridges the worlds of science and art, design and technology, academic research and industry. She co-founded Stromatolite Design Innovation Lab in 2000, developing futures concepts for international clients including Apple, Nike and Nokia - stromatolite.com. Her practice-based Ph.D. research investigated music interpretation systems and led to her co-authoring Sonaris, an innovative music search technology, as well as launching the Open Product Licenses, enabling design by attribution. Michela directed MIReS.cc, investigating the future of music technology with seven top European research centres. She founded the global Music Tech Fest - musictechfest.org, which brings music industry, SMEs, innovators and researchers under one roof. Her work has received the 'art meets science' NEM art award twice, several TSB and EU FP7 awards, and was selected for the exhibition showcasing the best of British innovation at the Science Museum during the London Olympics. Michela Magas is named as European Woman Innovator of the year 2017. UNICULT FACULTY: 2016, 2018, 2020, 2021</image:caption>
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      <image:title>Faculty - GAELLA GOTTWALD</image:title>
      <image:caption>Gaella Alexandra Gottwald is vice-president of the Creative Cultural Alliance. Art director, creative consultant and artist graduated from Brown University with a degree in History of Art and Architecture, she pursued courses at the Film Academy FAMU and Applied Arts Academy UMPRUM of Prague and graduate studies at the European Institute of Design IED in Milan, Italy. In the years that followed she worked in a number of institutions from the Museum of Modern Art in New York to Cinecitta Film Studios in Rome. She has experience in a variety of creative fields from curating to documentary filmmaking, gallery work and art dealing. For years Gaella traveled the world working and collaborating with local communities in Africa, Europe and Asia doing projects that worked on traditional crafts to sustainable design, to using art as a means of empowerment. She was director of the Croatian Association of Artists in Zagreb (HDLU) from 2010-2014, where she created new programs such as Artomat unconventional art fair, Upcycling Festival, and Art for All projects to promote cultural entrepreneurship, ecological awareness, innovation and social inclusion. Since 2015 she has been working for the City of Dubrovnik, as creative consultant for their ECoC bid for 2020 and currently as Art Director of the Lazareti complex (1-5) where she has created the foundations for a multidisciplinary art, science and community space. Her innovative and socially aware programs have gotten her various awards: National prize for Innovation in the Arts for Artomat (DKI 2013), EU Grant for Cultural Managers (Eunic 2013) and was the recipient of the Global Ambassadors Fellowship by Vital Voices for emerging female leaders Belfast, Ireland (2014). She is an elected member of The Cluster for Competitiveness in the Creative and Cultural industries and has been a jury member of the Global Shapers Community. UNICULT FACULTY: 2018, 2020</image:caption>
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      <image:title>Faculty - CHRIS TORCH</image:title>
      <image:caption>Chris Torch is founder and Senior Associate at Intercult, based in Stockholm, Sweden, where he has lived for over 30 years. Apart from large-scale project design, Torch plays a role in developing intercultural policies, in Sweden and throughout Europe. He lectures regularly and serves currently on the Board of Culture Action Europe, the most influential platform for cultural policy development. He has earlier joined the Boards of The European Museum Forum, Platform for Intercultural Europe, and River//Cities. He was originally trained and worked as both actor and stage director. Chris holds a BA and an MA degree in Dramatic Arts and Business Administration from Amherst College, Massachusetts, USA.  Chris Torch was Program Director at Rijeka 2020 - candidate, European Capital of Culture. He is currently Artistic Director of Timișoara2021. UNICULT FACULTY: 2015, 2016</image:caption>
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      <image:title>Faculty - MILENA DRAGICEVIC SESIC</image:title>
      <image:caption>Milena Dragicevic Sesic is a professor of cultural policy and cultural management and former president of the University of Arts, Belgrade, where she now holds the UNESCO Chair in Cultural Policy and Management. Milena received a master’s degree in Theater Studies (the University of Paris VIII), and in Cultural policy and Management (University of Arts Belgrade), and a PhD in the Sociology of Culture (University of Belgrade). Her research interest covers wide scope of topics in cultural and heritage management, leadership and entrepreneurship, cultural policies, urban policies, cultural and media studies. She is the author of 15 books and more than 150 essays, translated in 17 languages. Dragicevic Sesic is a civil society activistm board member of NGOs (Center for Cultural decontamination, B92 Fund, Creative mentorship, Smart collective, Dragan Klaic fund) offering her support to the development of numerous others in the region, India, Lebanon, Egypt, Cambodia, etc. She works as an expert in cultural policy and management for the EU, European Cultural Foundation, the Council of Europe, UNESCO. She has guest lectured at numerous universities, including the Jyvaskyla university, CEU Budapest, Lyon II, I.E.P. Grenoble, Jagiellonian Krakow, CUNY and Columbia New York, University of Buffalo, Lasalle College Singapore, etc. Received the title Commandeur dans l`Ordre des Palmes Academiques (the Ministry of National Education and Research France 2002). UNICULT FACULTY: 2015, 2016, 2017, 2018, 2019, 2020</image:caption>
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      <image:title>Faculty - JAN FABRE</image:title>
      <image:caption>Jan Fabre was born in 1958 in Antwerp where he lives and works. In his research the study of the human body and its transformations prevails through the extreme exploration of human corporeity. Metamorphosis is a key concept in Fabre’s body of work, in which human and animal life are in constant interaction. He studied at the Municipal Institute of Decorative Arts and the Royal Academy of Fine Arts in Antwerp. A kinsman of the famous entomologist Jean-Henry Fabre, he became attracted to the study of nature at a very young age and developed a true passion for the sciences, entomology in particular. The use of insects is a distinctive feature of his work where man, nature, and their mutual relations are his favorite themes. The beetle, an animal that appears frequently in his work, is a symbol of metamorphosis for Fabre: «Beetles are characterized by both an incredible instinct to death and a vitality, that enables them to change their physical features. After several stages of development, their body suddenly stops growing, to be born again and start with a new form […]. It is a kind of passage, that bears the promise of a new and better life in itself. In my research about the nature of future man, I’m inspired by beetles’ evolution, behavior and features» (Achille Bonito Oliva interviews Jan Fabre, 2008). Some of these works are: Beekeeper (1998-99), Strategy Field (Waterloo) (1998), Gravetomb (swords, skulls and crosses) (2000) and A Tribute to Belgian Congo (2010-2011). His artistic language has an all-absorbing and interdisciplinary character: he has created a highly personal world with its own rules and laws, as well as its own characters, symbols and recurring motifs. He is known throughout the world also as a choreographer, film director and writer. The many prestigious venues where his works have been displayed include the Venice Biennale (1984, 1990, 2003); Documenta (1987, 1992), Kassel; Musée du Louvre (2008), Paris; Kunsthistorisches Museum (2011), Vienna; Royal Museums of Fine Arts of Belgium (2012), Brussels; MAXXI (2013), Rome; Pinchuk Art Centre (2014), Kiev; Espace Louis Vuitton (2015), Tokyo; Palazzo Vecchio (2016), Florence; and The Hermitage Museum (2016), St. Petersburg. Most recently he has also exhibited his works in cities such as Amsterdam, Krakow, Geneva, Lyon, London, Padua, Paris, Rome, Rotterdam, Stockholm, Tokyo and Venice. He won the Pino Pascali Award (2008). UNICULT FACULTY: 2019 https://www.troubleyn.be/eng Copyright &amp; Photo: Carlotta Manaigo</image:caption>
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      <image:title>Faculty - HEDVIG MORVAI HORVAT</image:title>
      <image:caption>Hedvig Morvai is Head of European Strategies at the Erste Foundation in Vienna. In 2007 she participated in establishing of the European Fund for Balkans where she was the executive director for more than a decade. Hedvig studied law and communications when she became an activist as a member of a student organization and of numerous NGOs dealing with interethnic relations, promoting education and cross-border cooperation. She joined the student protests against the Milosevic regime in Serbia and she was part of the group that created the only festival in the world born out of protest – the EXIT Festival in Novi Sad. She committed herself to regional cooperation in helping the Balkans to raise from the years of conflicts. Hedvig is author and initiator of a number of outreach and advocacy initiatives including the innovative and creative regional campaign for the abolishment of visa regime between the EU and Balkan countries, using such unconventional tools as literature, video games, and festivals. As the director of the European Fund for Balkans, with her team, she created and executed highly impactful programs focused on democratization and European integrations. Hedvig is a founding member of the Balkans in Europe Policy Advisory Group, the only regional Think-Tank bridging the policy debates between the Balkans and the European Union. Hedvig Morvai currently serves on the boards of the Center for Advanced Studies in Rijeka, the Creative Cultural Alliance and the Share Foundation. She is Council member of the European Council on Foreign Relations, member of the Epos Network and the Serbian-American Women’s Leadership Network and a team member of the EU Master Module in Art, Science, and Technology. In 2006 she was laureate of the Maja Marsicevic-Tasic Foundation’s “Conquering Freedom Award”. UNICULT FACULTY: 2018, 2019</image:caption>
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      <image:title>Faculty - ULAY</image:title>
      <image:caption>Ulay is the pseudonym of Frank Uwe Laysiepen. He was born in 1943 in Solingen, Germany. Ulay was formally trained as a photographer, and between 1968 and 1971, he worked extensively as a consultant for Polaroid. In the early period of his artistic activity (1968-1976) he undertook a thematic search for understandings of the notions of identity and the body on both the personal and communal levels, mainly through series of Polaroid photographs, aphorisms and intimate performances. At that time, Ulay's photographic approach was becoming increasingly performative and resulted in performative photography (Fototot, 1976). Later, in the late stage of his early work, performative tendencies within the medium of photography were transformed completely into the medium of performance and actions (There Is a Criminal Touch to Art, 1976). From 1976 to 1988, he collaborated with Marina Abramović on numerous performances; their work focused on questioning perceived masculine and feminine traits and pushing the physical limits of the body (Relation Works). After the break with Marina, Ulay focused on photography, addressing the position of the marginalised individual in contemporary society and re-examining the problem of nationalism and its symbols (Berlin Afterimages, 1994-1995). Nevertheless, although he was working primarily in photography, he remained connected to the question of the 'performative', which resulted in his constant 'provocation' of audiences through the realisation of numerous performances, workshops and lecture-performances. In recent years, Ulay is mostly engaged in projects and artistic initiatives that raise awareness, enhance understanding and appreciation of, and respect for, water (Earth Water Catalogue, 2012). Ulay's work, as well as his collaborative work with Marina Abramović, is featured in many collections of major art institutions around the world such as: Stedejlik Museum Amsterdam; Centre Pompidou Paris; Museum of Modern Art New York… After four decades of living and working in Amsterdam, several long-term artistic projects in India, Australia and China, and a professorship of Performance and New Media Art at the Staatliche Hochschule für Gestaltung, Karlsruhe in Germany, Ulay currently lives and works in Amsterdam and Ljubljana, Slovenia. UNICULT FACULTY: 2019, 2020</image:caption>
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      <image:title>Faculty - NIELS RIGHOLT</image:title>
      <image:caption>Director of CKI – the Danish Centre for Arts &amp; Interculture in Copenhagen. The centre is a competence centre on interculture, audience development and cultural democracy. Niels has a broad background and experience from more than 25 years in the arts field. He has worked as Artistic Director, Managing Director, Producer and Curator, Head of Information, Cultural Political Developer and Political Advisor within a variety of cultural institutions and organizations over the years, among others, as Managing and Artistic Director of the Dunkers Arts Centre in Helsingborg, Sweden, as Chief Curator and producer for Møstings Hus &amp; Byggeriets Hus, Copenhagen and as co-founder of the intercultural magazine and communication bureau Cultures. At present Niels is a board member of among others Culture Action Europe (Brussels), Inkonst Theatre (Malmö, Sweden), the theatre Teatergrad in Copenhagen and the Audience Europe Network (Rotterdam). Niels and CKI is one of the partners in the large scale Erasmus+ project CONNECT and the large scale Creative Europe project ADESTE+. UNICULT FACULTY: 2019</image:caption>
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      <image:title>Faculty - DAVID BATSTONE</image:title>
      <image:caption>Professor David Batstone teaches in the department of Entrepreneurship &amp; Innovation at the University of San Francisco’s School of Management. Previously a private equity banker in the technology industry, Dr. Batstone is published widely in both academia and the popular press. His five books feature entrepreneurship at the crossroads of business and society. USA (Today) Weekend describes Batstone as “one of the country’s leading authorities on ethics in the business world." A sought-after speaker and consultant to businesses and nonprofits alike, Batstone works with entrepreneurs and investors to create forward-thinking companies that return dignity to people and planet and shares his unique model for developing successful enterprises that create an opportunity for everyone. His ground-breaking work has earned him numerous awards. Most recently the United Nations Women for Peace Association selected him as their annual Peace Award winner in 2017. He also was awarded in 2017 the Harari Conscious Leadership and Social Innovation prize (USF School of Management award). Dr. Batstone is the founder and managing director of Just Business, a social impact investment firm. His portfolio of successful ventures includes REBBL--" top new organic beverage in the USA" (2016), Z Shoes, Square Organics, and Not For Sale. As founder of Not For Sale, Batstone has connected business leaders, celebrities, politicians, and students to design strategic solutions for the 30 million human slaves in the world today. In 1997 Dr. Batstone was one of the founding team members of Business 2.0 magazine, which burst onto the publishing scene with National Magazine Award “Best New US Magazine." Time-Warner acquired Business 2.0 magazine in 2001. Dr. Batstone also has been a contributor to The New York Times, Wired, The Chicago Tribune, Spin, Stanford Social Innovation Review, and The San Francisco Chronicle. https://www.notforsalecampaign.org UNICULT2020 FACULTY: 2019</image:caption>
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      <image:title>Faculty - ANNE BOGART</image:title>
      <image:caption>ANNE BOGART One of the three Co-Artistic Directors of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. Anne Bogart is a Professor at Columbia University where she runs the Graduate Directing Program. Works with SITI include FALLING &amp; LOVING, The Bacchae, Chess Match No. 5; Lost in the Stars; Persians; Steel Hammer; A Rite; Café Variations; Trojan Women (After Euripides); American Document; Antigone; Under Construction; Freshwater; Who Do You Think You Are; Radio Macbeth; Hotel Cassiopeia; Death and the Ploughman; La Dispute; Score; bobrauschenbergamerica; Room; War of the Worlds–the Radio Play; Cabin Pressure; Alice’s Adventures; Culture of Desire; Bob; Going, Going, Gone; Small Lives/Big Dreams; The Medium; Noel Coward’s Hay Fever and Private Lives; August Strindberg’s Miss Julie; and Charles Mee’s Orestes. Recent operas include The Handmaid’s Tale, Handel’s Alcina, Dvorak’s Dimitrij, Verdi’s Macbeth, Bellini’s Normaand Bizet’s Carmen. She is the author of six books: The Art of Resonance, A Director Prepares; The Viewpoints Book; And Then, You Act; Conversations with Anne; and What’s the Story. UNICULT FACULTY: 2019, 2020</image:caption>
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      <image:title>Faculty - ARIANE KOEK</image:title>
      <image:caption>Ariane Koek is Science Gallery Venice’s first Director. She has a love of and expertise in imagination and creativity in arts, science and technology. She initiated and designed as the Founding Director for nearly 5 years Arts At CERN – the international interdisciplinary arts/science/technology programme based at the world’s largest particle physics public research laboratory in Switzerland. Prior to that she was given the Clore Fellowship - an international cultural leadership award for her work in culture, including as an award-winning staff producer in BBC radio and television known for working across disciplines. Ariane enjoys writing about interdisciplinarity and artists and their work – with essays for exhibitions including those by Pipilotti Rist, Goshka Macuga and Bill Fontana. She is on the Advisory Boards of the House of Electronic Arts (HEK, Switzerland) Arts At CERN, and the Joint Research Council’s sci-art programme based at ISPRA, Italy. UNICULT FACULTY: 2018</image:caption>
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      <image:title>Faculty - BERNARD SZAJNER</image:title>
      <image:caption>Composer, theorist and visual artist Bernard Szajner released five albums of innovative, avant-garde electronic music between 1979 and 1983. Although widely and deservedly acclaimed at the time, Szajner afterwards abandoned music for two decades, and as a result his music lapsed into relative obscurity. For connoisseurs, however, Szajner remains a leading exponent of his chosen genre. The first Szajner album, Visions of Dune, was released in 1979 and credited to the group name Zed. Inspired by the Frank Herbert sci-fi novel Dune, the album featured a stellar cast of guest musicians including Hahn Rowe, Klaus Basquiz, Colin Swinburne, Clement Bailly and Annanka Rachel. In July 1981, Szajner performed with the laser harp at the Festival de la Science Fiction et de l’Imaginaire in Metz. Szajner also expanded on the limitations of contemporary synthesizer technology. ‘ Szajner chose another radical departure for his third album, Superficial Music, released in December 1981. The first side featured four tracks of so-called ‘superficial music’ compiled from source tapes for Visions of Dune, played backwards at half speed, and enhanced only by sparing use of analog and digital effects. The title was deliberately contradictory, and appropriated from Journey Without Maps by British author Graham Greene: ‘Superficial music which just tickled the surface of the mind, didn’t tiresomely claim any deep emotion whether grief or exaltation.’ Most of Szajner’s music remained out of print for two decades. However name-checks from admirers such as Detroit techno producer Carl Craig, who listed Some Deaths Take Forever as his favourite record of all time, and appearances on landmark compilations such as So Young But So Cold (Tigersushi, 2004), have ensured that his music was never forgotten. These new CD reissues of Some Deaths Take Forever and Superficial Music serve to reintroduce two important musical works, and include previously unreleased bonus tracks recorded in 1982, and inspired by The Hunting of the Snark by Lewis Carroll. Following a long interval, new music is expected from Szajner in 2009. In 2019. Bernard Szajner exhibited at Centre Pompidou. UNICULT FACULTY: 2019</image:caption>
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      <image:title>Faculty - CVETANA IVANOVA</image:title>
      <image:caption>Dr Cvetana Ivanova is a lecturer at University of the Arts, London - Central Saint Mar- tins, in MA Applied Imagination in the Creative Industries. PhD in Psychology of Art. Master’s of Arts graduate with experience in creative design and advertising with em- phasis on art direction and creative branding. Experience encompasses knowledge of integrated visual and written medium including print, graphics, video, collateral and electronic publishing. A conceptual &amp; research artist with stage and costume design, fashion and graphic design and art direction background, evolved in creative director and manager of multidisciplinary teams. Founder and CEO of the Art &amp; Science research foundation “Re:” and currently working on a chain of interdisciplinary projects with teams of artists and scientist in the quest for the synthesis between Art &amp; Science as natural result of their evolution. Collaborating with So a University, National Academy of the Art, Bulgarian Academy of Sciences and other NGOs. UNICULT FACULTY: 2019</image:caption>
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      <image:title>Faculty - ANKE SCHAD</image:title>
      <image:caption>Anke Schad completed her PhD in Cultural Management at the University of Music and Performing Arts Vienna with distinction in 2017. The Austrian Ministry of Science and Research awarded her PhD-thesis on Urban Cultural Governance with the Award of Excellence. She works as an independent scholar, evaluator and facilitator in the areas of cultural policy and management, international cultural cooperation, and cultural education and learning. Since 2017, she accompanies the Goethe-Institut under a framework contract in various international collaboration projects in the areas of urban cultural development, European cultural politics and creative industries. Since 2016, Anke Schad is a member of the board of the Association of Cultural Management (Fachverband Kulturmanagement). UNICULT FACULTY: 2019</image:caption>
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      <image:title>Faculty - CHRIS CSIKSZENTMIHALYI</image:title>
      <image:caption>Chris Csíkszentmihályi is European Research Area Chair at Madeira Interactive Technology Institute, and is director of the the Rootio Project, a sociotechnical platform for community radio. Csíkszentmihályi has been a professor at colleges, universities, and institutes, including Distinguished Visiting Professor of Art and Design Research at Parsons the New School for Design. He co-founded and directed the MIT Center for Future Civic Media (C4), which was dedicated to developing technologies that strengthen communities. He also founded the MIT Media Lab's Computing Culture group, which worked to create unique media technologies for cultural and political applications. Trained as an artist, he has worked in the intersection of new technologies, media, and the arts for 16 years, lecturing, showing new media work, and presenting installations on five continents and one subcontinent. He was a 2005 Rockefeller New Media Fellow, and a 2007-2008 fellow at Harvard's Radcliffe Institute for Advanced Study, and has taught at the University of California at San Diego, Rensselaer Polytechnic Institute, and at Turku University. UNICULT FACULTY: 2018, 2019</image:caption>
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      <image:title>Faculty - DAVOR MISKOVIC</image:title>
      <image:caption>Davor Miskovic is a cultural worker from Rijeka (Croatia) and president of the non-profit association Drugo more (Other Sea), where his work ranges from programme selection to executive production, including fundraising and PR. He is a researcher of the cultural sector focusing on organizational aspects of cultural life. He is an active participant in the creation of cultural policies involved in advocacy actions. As a part time lecturer at the Faculty of Arts and Sciences in Rijeka, Mišković is holding courses in cultural management and organization theory. Mišković is also involved in the management of cultural institutions and networks (currently the president of the Clubture Network and the Theatre Council of the City Puppet Theatre in Rijeka, he was a member of the Cultural Council of the City of Dubrovnik). He curated and organized numerous cultural events, conferences and educational programs, collaborated on several research projects and has taken part in many cultural management and consulting bodies. Currently he is preparing a PhD thesis at the University of Zagreb. He has worked in the Ministry of Culture for seven years and was a part-time associate in a number of cultural associations, market research agencies, daily papers and magazines. UNICULT FACULTY: 2015, 2016, 2017, 2018, 2019</image:caption>
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      <image:title>Faculty - AIRAN BERG</image:title>
      <image:caption>Airan Berg studied theater at Brown University in Providence, USA. His career highlights include co-founding and managing the Theater ohne Grenzen and the International Puppetry Festival for Adults, Die Macht des Staunens, between 1993-2001, the artistic direction of the Schauspielhaus Vienna between 2001-2007, the artistic direction for performing arts at Linz2009: European Capital of Culture. Since 2010 Airan developed large scale participatory projects in Istanbul, Singapore, Mannheim, Brussels, Helsinki, Maastricht, and Lecce. Airan is serving as international artistic advisor for Valletta2018. Currently he is responsible for a large scale participatory project, StadtRecherchen - Urban Inquiries, he is developing for Vienna's Burgtheater (Austria's National Theater) and a participatory music-theatre piece, Orfeo &amp; Majnun) for la Monnaie Opera, Festival Aix, Valletta2018 and other European partners. Airan Berg is currently the Artistic Director of the Festival of Regions. https://fdr.at/en/category/news-en/ UNICULT FACULTY: 2017, 2018</image:caption>
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      <image:title>Faculty - NAYARI CASTILLO</image:title>
      <image:caption>Molecular Biologist and Artist (MFA Public Art and New Artistic Strategies, Bauhaus-Universität, Weimar, DE) living in Graz; using video, text, objects and photography as tools of communication, her installation work relies on specific constructs of traveling. Her interventions engage with history, time and space. She has participated in numerous collective and solo exhibits in cities like Berlin, Brussels, Mexico City, NY, Sarajevo, Seoul, Vienna among others. Castillo has won multiple prizes and bursaries including the Bursary for the Arts of the city of Graz (AT) and the CIFO prize 2014, Miami (USA) and is mentioned in publications like: Suazo, F. “Panoramic of Emergent Art in Venezuela 2010-2012” | Boulton, M.T. ”21 Venezuelan Women Photographers” | Palenzuela, J.C. “Art in Venezuela. 1980-2005” | Castellote, A. “Open Maps: Latinamerican Photography 1991-2002”. She has attended various residencies worldwide including Skowhegan SPS (2009, USA). UNICULT FACULTY: 2018, 2019, 2020</image:caption>
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      <image:title>Faculty - BARNEY O'HANLON</image:title>
      <image:caption>BARNEY O'HANLON Barney has been collaborating with Anne Bogart since 1986. As a member of the SITI Company he has performed nationally and internationally with productions of Hotel Cassiopeia, Intimations for Saxophone, A Midsummer Night's Dream, La Dispute, Hay Fever, bobrauschenbergamerica, War of the Worlds, War of the Worlds (The Radio Play), Culture of Desire, Cabin Pressure, and Small Lives/Big Dreams. He has also choreographed and appeared in the world premiere of Nicholas and Alexandra at Los Angeles Opera and Lilith and Seven Deadly Sins at New York City Opera, as well as additional Bogart productions at the Alley Theatre, Trinity Repertory, River Arts Repertory, and Opera/Omaha. Other regional credits include Tina Landau's 1969 at ATL, Stonewall: Night Variations for EnGarde Arts, Deadly Virtues and Hamlet at ATL, and Jon Robin Baitz's A Fair Country for Steppenwolf. His choreography has appeared at BAM's Harvey Theater, Arena Stage, New York Theatre Workshop, New York City Opera, Los Angeles Opera, and at the Prince Music Theater. He directed and choreographed the world premiere of systems/layers, a dance/theater collaboration between SITI and the Kentucky-based band Rachel's. UNICULT FACULTY: 2019</image:caption>
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      <image:title>Faculty - SLAVEN TOLJ</image:title>
      <image:caption>SLAVEN TOLJ Born in 1964 in Dubrovnik, Croatia, where he lives and works. Slaven Tolj is one of the most important artists of the Croatian art scene. His radical and minimalist practice, which encompasses performances, photographs, and ready-made situations and objects, often deals with specific social facts and historical events. At his beginnings, in the nineties, his work focused on the situation of his own country, i.e. the disintegration of Yugoslavia and especially the siege of Dubrovnik, his hometown. Then, in the post-totalitarian context, he envisaged a broader scope of investigation and engaged in issues relating to globalization and multiculturalism. In addition to his practice, Slaven Tolj has always pursued curatorial activities, starting with the foundation of Art Workshop Lazareti in Dubrovnik in 1988, currently one of the most active art centres in Croatia, which focuses on the interaction between contemporary arts and social change. UNICULT FACULTY: 2018, 2019, 2020</image:caption>
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      <image:title>Faculty - FRANZISKA HEDERER</image:title>
      <image:caption>Franziska Hederer is Associate Professor at the Institute of Spatial Design at Graz University of Technology. With her study On the Oscillating Boundaries of Architecture she received the venia docendi for Spatial Perception and Experimental Design in 2015. Her research and teaching focuses on the exploration of artistic practices, especially the performing arts, as tools for spatial perception and for sensitizing our understanding of space. She also realizes performances in public space and from 2011 until 2018 she served as coordinator of the architecture program at FORUM STADTPARK Graz. Teaching activities at University of Liverpool, University of Antwerp, KTH Stockholm, University of Nova Gorica and University of Applied Arts Vienna. UNICULT FACULTY: 2019</image:caption>
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      <image:title>Faculty - LIDIA VARBANOVA</image:title>
      <image:caption>Dr. Lidia Varbanova has professional experience in Canada, Europe, Central Asia and the Caucasus. She works as a consultant, educator and researcher in the areas of strategy, policy development, entrepreneurship and innovations, organisational development and online technologies, with a special emphasis on arts, culture and creative industries. Lidia has been permanent and visiting professor in prominent universities and training centers in Europe and Canada and has received a number of distinguished awards, among them: Dragan Klaic European award for excellence in teaching, FULBRIGHT Program, Japan Foundation fellowship, North Atlantic Treaty Organisation post-doctoral award; and scholarship from Webb Memorial Trust, Oxford. Her latest books are: Strategic Management in the Arts,(2013) and International Entrepreneurship in the Arts (2016), published by Routledge (New York/London). Lidia is an internationally acclaimed conference speaker and moderator, and an active member of several professional networks in Canada and Europe, among them Arts Consultants Canada (ACCA), European Networkfor Cultural Management and Policy (ENCATC) and International Institute for Gastronomy, Culture and Tourism (IGCAT). She currently offers online masterclasses, coaching and consulting through her website www.lidiavarbanova.ca, leads online workshops with the University of British Columbia, and is also the Business Developer of Mojito Music - a new label for Latin and World Music. Lidia is a regular visiting professor at UNESCO Chair in Cultural Policy and Management, Belgrade and the National Academy of Theatre and Film Arts, Sofia. UNICULT FACULTY: 2016, 2017, 2018</image:caption>
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      <image:title>Faculty - JURIJ KRPAN</image:title>
      <image:caption>Jurij Krpan graduated from the Faculty of Architecture in Ljubljana. Since 1995 he has been developing the mission and the program direction for the Kapelica Gallery, which is characterized by explicitness and politics and devotion to the criteria of contemporary art research, which he also encourages and promotes with special events in Slovenia and internationally. As curator and selector, he has participated in domestic and international festivals; at the 50th Venice Biennial in 2003, and the conceptual gallery Cosinus BRX at the European Commission building in Brussels. In 2008 he curated the presentation of the Kapelica Gallery in the Featured Art Scene section of Ars Electronica in Linz. As the consultant for the arts department at the Biennial of Young Artists from Europe and the Mediterranean in Brussels since 2004, he has been entrusted with raising the artistic level of the event. He has also edited a book, ORIGINAL – 100 important BJCEM artists, about the artistic relevance of the biennialand marking the 20th anniversary of the event. In 2006 he was the curator of the 5th Triennial of Contemporary Slovenian Art at the Museum of Modern Art in Ljubljana, and in 2009 he was the curator of the biggest intermedia exhibition in history of Slovenia ArzenalDepo 2K9 at Viba Film Studios. In 2010 he presided over the jury at the festival Share Piemonte in Torino, Italy. UNICULT FACULTY: 2018, 2019, 2020</image:caption>
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      <image:title>Faculty - PETER PURG</image:title>
      <image:caption>pETER Purg leads the New Media module in the Digital/Media Arts and Practices graduate/postgraduate programme at the School of Arts, University of Nova Gorica, where he acts as Associate Professor and projects coordinator. His artistic interests range from lecture and intermedia performances to interactive installations, as well as web, sound and body art, with a particular focus on public space and the site-specific method. His scientific inquiries also include media arts pedagogy, interdisciplinary collaboration and media ecology. Prof. dr. pETER Purg lectured and lead over twenty intermedia workshops across Europe, he also engaged in numerous international projects across the realms of media art. UNICULT FACULTY: 2018, 2019, 2020</image:caption>
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      <image:title>Faculty - NINA OBULJEN KORZINEK</image:title>
      <image:caption>Nina Obuljen Koržinek is the current Minister of Culture and Media in Croatia. She graduated from the Academy of Music and the Faculty of Arts at the University of Zagreb and holds a master's degree in Political Science (2004) and a Ph.D. (2013) from the same university. Her doctoral thesis focused on how international integration affects national cultural policies. She also completed a year-long program at Croatia's Diplomatic Academy and took courses at Université Paris-Dauphine. Nina works as a researcher at the Institute for Development and International Relations in Zagreb, focusing on cultural and media policy as well as European studies. She has published books and articles in Croatian and international journals and has worked as an expert on projects for organizations like UNESCO and the European Parliament. In 2004, she won the European Cultural Policy Research Award for her work on how EU enlargement affects cultural policies. She has held various positions in the Croatian Ministry of Culture, including State Secretary (2008-2011) and Assistant Minister (2006-2008). She was part of the team negotiating Croatia’s EU accession, focusing on culture, education, and the information society. Currently, she serves as the Culture Minister and received the Order of Arts and Letters from France in 2013. UNICULT FACULTY: 2015, 2016, 2017</image:caption>
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      <image:title>Faculty - ANDREW DUBBER</image:title>
      <image:caption>Andrew Dubber is the director of Music Tech Fest, an advisor to Bandcamp, Stromatolite and Sonarisand is the founder of New Music Strategies, a pan-European digital music strategy think tank and consultancy group. He is also the author of several books about music and radio in the digital age. Until September 2015, Dubber was Professor of Music Industry Innovation at Birmingham City University. He is a frequent keynote speaker at music industry events worldwide; his blogs and podcasts have reached audiences numbering in the hundreds of thousands; and is followed by over 11,000 people on Twitter, where he posts about music industry innovation, popular music culture and digital media. Dubber’s research interests include music as a tool for social change, music and media innovation, digital media cultures, online music enterprise, radio in the digital age, and music as culture. He teaches about radio broadcasting, the music industries, digital innovation music hacking and the online environment. As an academic, Dubber is extensively published and frequently cited. However, his background is primarily as a practitioner in the media industries as a radio producer and presenter, label owner and record producer. UNICULT FACULTY: 2016, 2018</image:caption>
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      <image:title>Faculty - IVANA JOZIC</image:title>
      <image:caption>IVANA JOZIC</image:caption>
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      <image:title>Faculty - ANNABELLE CHAMBON</image:title>
      <image:caption>ANNABELLE CHAMBON</image:caption>
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      <image:title>Faculty - HORST HöRTNER</image:title>
      <image:caption>Horst Hörtner is a media artist and researcher. He is an expert in the design of human-computer interaction and holds several patents in this field. Hörtner was a founding member of the Ars Electronica Futurelab in 1996 and since then he has been the director of this atelier/laboratory, managing the Ars Electronica development laboratory, responsible for the design of virtual environments, concepts for interactive installations, and systems-design for web based applications. He started work in the field of media art in the 1980s and co-founded the ‘media-art group x-space’ in Graz, Austria, in 1990. In 1998 he became a Member of the Multimedia Content And Broadband Expert Group (5th Framework Program, European Commission DGXIII/E-4). He was also the Moderator for the Computer animation and Visual Effects Prix Ars Electronica Forum in 1999 and a Jury Member for the Prix Ars Electronica in 2000. Horst Hörtner works at the nexus of art and science and gives lectures and talks at numerous international conferences and universities.  UNICULT FACULTY: 2017</image:caption>
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      <image:title>Faculty - DEJAN LUKIC</image:title>
      <image:caption>Dejan Lukic received a PhD in Anthropology from Columbia University in 2007. He teaches in the MFA Art Writing program at the School of Visual Arts in New York. He also taught classes at Reed College, Rutgers University, The New School, and Columbia University. His work crosses boundaries of art, philosophy, and anthropology. He has published two books, Phantom Territoriality (Bloomsbury, 2014) and Elemental Disappearances (Punctum, 2016), and numerous essays. All of his work is informed by the future pedagogies of creativity. During Summer he conducts a small art and ecology school - “Step Not Beyond” - in the Adriatic sea. He is a co-founder of Vitalist Cuisine, a culinary-philosophical project. UNICULT FACULTY: 2018</image:caption>
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      <image:title>Faculty - ROBERT MANCHIN</image:title>
      <image:caption>Robert Manchin is the President of Culture Action Europe. Born in Budapest, where he attended the Bartok Conservatory of Music, the Liszt Academy of Music and the Marx University of Economics. Worked at the Hungarian Academy of Science as sociologist while playing in the State Philharmonic Orchestra. He studied and wrote books on youth musical protest movements and the long-term effects of music education in public schools. Spent several years teaching and doing research in American universities. Returning to Hungary before the regime change he organized samizdat publications including publishing the minutes of the transition parliament before the first free elections. Between 1990 and 2014 he fulfilled various top management positions at Gallup Organization in the US and in Europe leading a number of global research projects. As a professor at the College of Europe, developed a course to understand European social trends using survey and other data. During the summers he organize local musical events in Croatia and in the winters makes every effort to be present in his village council meetings in Hungary where he was elected as the Vice Mayor. UNICULT FACULTY: 2016, 2017, 2018</image:caption>
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      <image:title>Faculty - ALEKSANDRA UZELAC</image:title>
      <image:caption>Dr. Aleksandra Uzelac is Head of the Culture and Communication Department and a Senior Research Associate at IRMO (http://www.irmo.hr). She holds a PhD (2003) in information science from the University of Zagreb and has over 20 years of professional experience in the area of cultural research related to issues of digital culture and cultural policies. Her research interests focus on the impact of information and communication technology on cultural issues, virtual networks and portals, digitization of culture, organization of knowledge in the cultural field, issues of public domain and cultural heritage, cultural policy and cultural cooperation issues. She has been a member of various cultural networks and expert groups that focus their activities in the field of cultural policies or digital culture, bringing into the policy mainstream issues related to the new context digital culture has brought to the cultural sector and cultural policies. Dr. Uzelac has provided her research expertise in the form of research studies and issue papers for the Council of Europe, the European Commission and European Parliament. She coordinated a group of experts providing cultural policy related expertise to European parliament and has participated in (and coordinated IRMO team) several EU funded projects where she contributed her research expertise. UNICULT FACULTY: 2017, 2018</image:caption>
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      <image:title>Faculty - HAKAN LIDBO</image:title>
      <image:caption>Håkan Lidbo has released more than 250 records on labels all over the World. Musically stretching from obscure sonic experiments to straight up pop on labels like Shitkatapult, Pokerflat, SKAM, Tommy Boy, Mille Plateaux, Force Inc, Fragile, Paper, Loaded, Skint, Plastic City, Frogman, Tigerbass, Mitek, Data Error , MNW, Moon Harbour, Kant, Moody, Ministry Of Sound and many others. He has produced and remixed artists like Fatboy Slim, Depeche Mode, Yello, Kool Keith, Trentemøller, Gravitonas, Fever Ray, Jonna Lee, Sophie Ellis Bexter, Andreas Tilliander, Ennio Morricone, Ludwig Van Beethoven, Karl-Heinz Stockhausen, Martha And The Muffins, Si Begg and many others. Håkan also hosts Ström, the electronica program on Swedish Radio, and arranges the new electronic music festival Voltfestivalen. UNICULT FACULTY: 2016, 2017, 2018</image:caption>
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      <image:title>Faculty - FRITZIE ZIE BROWN</image:title>
      <image:caption>Fritzie Brown served as Senior Program Director at CEC ArtsLink for nearly a decade prior to assuming the executive directorship in October 2007. In 2008, she produced FlipFest!, in celebration of the 15th anniversary of the ArtsLink Awards, an extravaganza that brought artists ranging from Czech performance artists to musicians from the Russian tundra to the Lower East Side of New York. During her tenure as Program Director, she streamlined and restructured the ArtsLink Awards program, co-directed the acclaimed internet/residency go_HOME, and developed and produced Flipside, the exhibition and catalogue celebrating 12 years of ArtsLink exchanges. She came to New York from San Francisco where she was Director of Operations and Interim Executive Director at Headlands Center for the Arts, a then newly formed international artists’ residency. She has moderated and participated in public panels both in the US and in Europe concerning artists’ communities and broad visual and performing arts issues. In 2014, at the invitation of Roberto Cimetta Fund and the Association of Cultural Managers of the Canary Islands, she helped draft the Canary Islands Declaration on Artistic and Cultural Mobility. In 2009, she represented CEC ArtsLink as a speaker at the Culturelink Conference in Zagreb and served on numerous national and international selection panels. Ms. Brown is a member of the Alliance of Artists Communities and has served on the College Art Association’s International Committee. She studied fine arts at San Francisco State University and her graphic work and installations have been exhibited in the US, Poland, Croatia and the Slovak Republic. UNICULT FACULTY: 2016, 2017</image:caption>
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      <image:title>Faculty - TARANA CAITANYA</image:title>
      <image:caption>To share joy and love with the all living beings, through the music. UNICULT FACULTY: 2017</image:caption>
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      <image:title>Faculty - MATTIAS DESAC</image:title>
      <image:caption>Mattias Desac is the founder &amp; artistic director of Art, Culture &amp; Society which is a Swedish NGO that considers art and culture to be vital for a democratic society. Art, Culture &amp; Society see socially engaged, interactive arts and culture as a way to promote action on local and European issues. As an NGO they initiate and cooperate in a wide range of European projects and also develop project ideas and concepts. They also function as consults to institutions, companies and organisations. Mattias is very interested in how national cultural policies are connected to international relations and the EU in particular. His thesis in political science dealt with how Swedish cultural policy has been influenced by international ideas and primarily the EU. He has several years of experience in working with EU-projects related to art, urban spaces and city development. In addition to leading his NGO he is currently working for a Swedish organisation that promotes better conditions for arts institutions with doing research and cultural policies lobbying. UNICULT FACULTY: 2017</image:caption>
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      <image:title>Faculty - MICHELE DRASCEK</image:title>
      <image:caption>Michele Drascek is an Italian curator. He began research, now ongoing, with art historical libraries and archives in Spoleto including those of Casa Mahler. Drascek had worked with David Gothard in 2012, using parts of his archive for Neue Slowenische Kunst 1984-1992 at Chelsea Space in collaboration with Tate Modern and Calvert 22, London. Born in Gorizia, Italy 1974, Drascek graduated at the Department of Educational Sciences, University of Trieste and holds a MA in Curating at Chelsea College of Art and Design, University of the Arts London. He has collaborated with several institutions: Contemporary Art Centre Villa Manin, Cittadellarte Michelangelo Pistoletto Foundation, Observatory on the Balkans, Palazzo Chigi in Ariccia (Italy); Moderna Galerija and SCCA Center for Contemporary Art (Slovenia); Stacion Center for Contemporary Art (Kosovo); Chelsea Space, Tate Modern, Flat Time House and Royal College of Art (UK); FLACSO Latin American Faculty on Social Studies (Ecuador); Pioneer Works Center for Art and Innovation (New York, USA). Curator of David Gothard Archives Collection (London, Gorizia) and now Chief Curator of Projects of The Marignoli di Montecorona Foundation (Spoleto), he is member of IKT International Association of Curators of Contemporary Art and of Europeana Network . His recent research includes organizing and exhibiting archives. His most recent commission is as curator of the Slovenian Pavilion at the 56th edition of La Biennale di Venezia. UNICULT FACULTY: 2017</image:caption>
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      <image:title>Faculty - DARKO LUKIC</image:title>
      <image:caption>Darko Lukic is a theater scholar, playwright and novelist. A full time professor at the Academy of Drama Arts University of Zagreb and at the Faculty of Philosophy University of Zagreb. He has got a BA in comparative literature and philosophy, MA in dramaturgy and PhD in theatrology. He studied at Tisch School of the Arts, NYU, Institute for Theater Anthropology, University of Copenhagen and European Academy for Culture and Management in Salzburg. Darko was the artistic director of drama theaters like: National Theater, Sarajevo, and artistic director and manager of Theater &amp;TD, Zagreb. He was a Vice Dean and Deputy Dean at Academy of Drama Arts University of Zagreb, a President of Council for international and EU cooperation Ministry of Culture of Croatia, a member of Performing Arts Council City of Rijeka, expert group of Council of Ministers of Culture South East Europe, Programming Board of manifestation “Maribor, ECoC 2010”, Committee for International Collaboration, and the City Council Cultural Department, City of Zagreb. He was also a President of Board of Municipal Theatre “Gavella”, Zagreb, member of Board for Theatre and Festivals of Ministry of Culture Republic of Croatia, President of the Theatre Board, City Council, City of Zagreb, Artistic Adviser for Cinematography Ministry of Culture and Croatian Television and Artistic adviser for Cinematography at Croatian Film Centre. Darko published many books and articles on theater, theatre productions and economic surroundings. UNICULT FACULTY: 2016, 2017, 2018</image:caption>
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      <image:title>Faculty - ADISA HAJRA</image:title>
      <image:caption>Ashtanga Yoga Rijeka Yoga teacher Adisa Hajra (born 1987) is a Yoga practitioner and teacher living in Rijeka, Croatia. She has been practicing Yoga for more than ten years and continuously studying Yoga with Domagoj Orlic (Cro) and Mark Whitwell (NZ). In her teaching she is focusing on developing a personal practice for her students aiming at creative learning, psychosomatic healing and personal transformation. UNICULT FACULTY: 2018</image:caption>
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      <image:title>Faculty - MARIO KIKAS</image:title>
      <image:caption>Mario Kikas is a cultural worker from Zagreb, an editor of magazine RAD. and a member of Organization for Workers’ Initiative and Democratization. From 2012-2014, Kikas was a member of editorial board of bi-weekly magazine for culture Zarez. He regularly publishes articles in several Croatian and regional media (Kulturpunkt, Le Monde Diplomatique, Bilten, Vox Feminae) on wide range of issues: cultural policy, LGBTIQ and feminist activism, international relations, political relations in Bosnia and Herzegovina. Addition to his media works, Kikas is a collaborator on various projects in arts and culture: an member of a team responsible for creation of artistic programme of Dubrovnik 2020 bid for European Capital of Culture, member of Committee for the evaluation of the quality of the applications of Foundation for contemporary arts and culture Kultura nova (2013-2015) and a member of informal art collective Savovi together with Mila Pavičević (dramaturge), Zrinka Uzbinec (choreographer) and Lujo Parezanin (musician).</image:caption>
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      <image:title>Faculty - TAMARA KLEVA</image:title>
      <image:caption>Tamara Kleva is yoga instructor and owner of Ashtanga Studio Rijeka.  www.ashtangayoga.hr UNICULT FACULTY: 2017</image:caption>
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      <image:title>Faculty - ​​​​​​​JASA</image:title>
      <image:caption>JASA was born in Ljubljana, Slovenia in 1978. He studied painting at the Accademia di Belle Arti in Venice, and has gone on to show his work to critical acclaim both in Europe and the US, among these works; The Relations (2016, Frieze London), Ulay &amp; JASA / Cutting through the clouds of Myth / Watermark, Untitled, 2015 (Istanbul, 2015), Crystal C (New York, 2104), and Gods Came for Dinner Last Night (Ljubljana, 2013, with Mark Pozlep). JASA’s artistic practice is based out of two active studios one in Ljubljana and one in New York. The work he cultivates in both studios is marked by a kind of integrative principle, which shows up in his continued commitment to collaboration, as well as in his multi-media approach. In 2015, JASA represented the pavilion of Slovenia at the 56th International Art Exhibition, La Biennale di Venezia with UTTER / the violent necessity for the embodied presence of hope, a large-scale installation and 29-week durational performance. UNICULT FACULTY: 2017  </image:caption>
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      <image:title>Faculty - REEVES LEHMANN</image:title>
      <image:caption>Reeves Lehmann is an actor, known for Subterranean Love (2013), On Golden Years (2014) and Juvie (2017). Chair, BFA Film Department, BFA Animation Department, School of Visual Arts. Education BFA, School of Visual Arts. Screenplays Include: The Landscaper's Daughter, Darker than Blue, Last Summer in Southampton Productions Include: Producer, The Landscaper’s Daughter; associate producer, cinematographer, New York Night Life; cinematographer, Document of the Dead; director, Lead Poisoning, Summer in Morocco. Awards And Honors Include: First Prize, National Educational Film Festival; Best Short Film, Best Actor, Long Island International Film Festival; Best Actor, New York Picture Start Film Festival; American Film Festival; U.S. Industrial Film Festival; New York International Film and Television Festival; Visual Arts Foundation Grant; Eastman Kodak Award, Sedona Film Festival; Jerusalem Film Festival. UNICULT FACULTY: 2017</image:caption>
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      <image:title>Faculty - IGOR SUNARA</image:title>
      <image:caption>Igor Sunara graduated from the University of Westminster, UK with BA Honors in Film and Television Production in 1977. One of his early still images was the shot of Alfred Hitchcock posing for his camera.  After moving to NY, he soon became involved in the New York independent film scene such as: Misplaced 1990 (featuring John Cameron Mitchell, Hedwig and Angry Inch). At Deauville he won the 1st Prize; The Keeper; On the Run, was an Open Palm Gotham 2000 Award Nominee; Somewhere in the City 1998 (featuring Sandra Bernhard, Bai Ling, Ornela Mutti, and Peter Stormare, HBO), and Peroxide Passion (Silver medal at the Houston 2001 FF). Igor also shot main stream movies such as Tripwire 1989 (Terence Know, David Warner, Viggo Mortensen), and Cop Land (IInd Unit) 1989 (Sylvester Stallone, Robert De Niro, Ray Liotta, Harvey Keitel). From 1991 to 1995, Igor shot Mercy of the Sea 2002 (starring Martin Sheen), and Cetverored 1999. While in Europe he shot Il Giardino Armonico (PBS). Igor taught Cinematography at the NYU, Grad dept. 94/95, and currently he is an Proffesor and Thesis advisor at the School of Visual Arts. Igor's feature film debut as director Finding Julia (Ha Phuong Tran, Richard Chamberlain, and Andrew McCarthy), is in the process of distribution.  UNICULT FACULTY: 2017</image:caption>
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      <image:title>Faculty - MATT BLACK</image:title>
      <image:caption>Matt Black (real name Matthew Cohn) is a British DJ and one half of music duo Coldcut (along with Jonathan More), which founded Ninja Tune. As a student at New College, Oxford, he was a member of a band called The Jazz Insects, whose first single was played by John Peel in his radio show. Black is widely regarded as one of the most innovative people in the new sphere of AudioVisual performance - his legendary AV tracks include "Timber" by Coldcut and Hexstatic as well as early involvement in the classic rave VJ series Xmix. Black is one of the inventors of the VJamm software used in the Coldcut live show. He is also a founding member of the (now defunct) VJ group Hex, and of the VJ group The VJamm Allstars with whom he continues to perform shows. Black has also worked alongside Crass Agenda as part of the Savage Utopia project. UNICULT FACULTY: 2016</image:caption>
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      <image:title>Faculty - VUK COSIC</image:title>
      <image:caption>Vuk Cosic graduated from the University of Belgrade and earned a BA in Archaeology in 1991, emigrating that year to Trieste, Italy, and the following year to Slovenia. Active in politics, literature and art, Ćosić has exhibited, published, and been active since 1994. He is well known for his challenging, ground-breaking work as a pioneer in the field of net.art. His constantly evolving oeuvre is characterized by an interesting mix of philosophical, political, and conceptual network-related issues on the one hand, and an innovative feeling for contemporary urban and underground aesthetics on the other. One of the pioneers of net.art, Ćosić became interested in ASCII code during a long period of research (1996–2001) on low-tech aesthetics, the economy, ecology and archaeology of the media, on the intersections between text and computer code, on the use of spaces in information, its fluid nature and infinite convertibility. Out of this came History of Art for the Blind, ASCII Unreal (an art game), ASCII Camera, ASCII Architecture, Deep ASCII and ASCII History of Moving Images, a history of the cinema converted into text format.[2] He is a co-founder of Nettime, Syndicate, 7-11, and Ljubljana Digital Media Lab. The most notable venues, among many others, include Videotage, Hong Kong; Media Artlab, Tel Aviv; Venice Biennial; MIT Medialab; Walker Center, Minneapolis; Postmasters, NYC; Kunsthalle, Vienna; LAMoCA, Los Angeles; ICA, London and Beaubourg, Paris. One of his most recent works is the File Extinguisher, an online service that allows you to delete your files with absolute certainty. He has been involved in many projects and ventures in the field of digital and net art since 1994, including co-founding Ljudmila, a digital media lab for artists in Slovenia. In 2001 he represented Slovenia at the Venice Biennale. He is also notorious for his ‘hacking;’ in 1997, he famously hijacked the website for Documenta X. UNICULT FACULTY: 2016</image:caption>
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      <image:title>Faculty - JACK JAMES</image:title>
      <image:caption>Jack James (b. 1985) is an artist interested in events, happenings and the role of media in everyday life and culture. Often featuring domestic technologies (re)positioned to explore their relationship with people, Jack's work traverses the fields of sound and social practice, through installation and performance.  Jack is part of artist's collective thickear with whom he created Ministry of Measurement, Pink Sheet Method and initiated the Data and Ethics Working Group at ICT &amp; Art Connect 2013, Brussels. Which lead a to string of European engagements including Experiment #2 Consent exhibited at Museum Boijmans van Beuningen, Rotterdam. Past solo appearances include opening SPILL Festival of Performance 2012, monomania, BEAM: Brunel Electronic &amp; Analogue Music Festival, Wysing Arts Centre, Barbican Centre and Rushgrove House. During a recent residency with Metal in Peterborough Jack received support from Arts Council England to create Temporary Local Broadcast and convene the Capturing the “REAL” - in response to the ‘subject’ symposium. Jack is currently artist-in-residence at Music Hackspace as part of Sound and Music's Embedded programme. UNICULT FACULTY: 2016</image:caption>
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      <image:title>Faculty - ROBIN RIMBAUD</image:title>
      <image:caption>Robin Rimbaudis an electronic musician who works under the name Scanner due to his use of cell phone and police scanners in live performance. He is also a member of the band Githead with Wire's Colin Newman and Malka Spigel and Max Franken from Minimal Compact. Rimbaud is also a writer and media critic, multi-media artist and record producer. Born in Southfields, London, Scanner attended Kingston University in Surrey, earning a degree in Modern Arts (BA). For 2003, he installed a permanent installation in Raymond Poincaré hospital in Garches, France as part of the bereavement suite Channel of Flight. In 2004, Tate Modern commissioned Sound Surface in collaboration with Stephen Vitiello as their first sonic arts work. In the same year, he composed Europa 25, an alternative National Anthem for Europe that was freely distributed via 10,000 CDs and a website. He sound-designed Aitan Errusi's new British horror film Reverb. In 2007 he soundtracked British filmmaker Steve McQueen's film installation Gravesend, at the 52nd Venice Biennial. In 2008 he was President of Honour at the Qwartz Music Awards in Paris, and scored the musical comedy Kirikou &amp; Karaba in Paris. He premiered his six-hour performance show, Of Air and Eye at the Royal Opera House London in late 2008, and sound-designed the new Philips Wake-Up Light with Philips Electronics in NL, a lamp to wake you up with natural light and sound. His BBC radio production of Jean Cocteau's The Human Voice won the Prix Marulic Award and recently, he won First Prize Neptun Water Prize for his installation Wishing Well in Austria, in collaboration with Austrian artist Katarina Matiasek. In 1998, he became 'Professor Scanner' at John Moores University in Liverpool. In 2009 he became Visiting Professor at University College Falmouth UK, and Visiting Professor at Le Fresnoy National Centre for Contemporary Arts in Tourcoing France. UNICULT FACULTY: 2016</image:caption>
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      <image:title>Faculty - TOMISLAV BRAJNOVIC</image:title>
      <image:caption>Born in 1965 Zagreb, Croatia. Graduated at the Academy of Fine Arts in Zagreb 1993, and completed a Masters Degree at St. Martins College of Art collaboration with “Mobius” (Boston 2000), “Greenhouse” (London 2003) and “Flat Holm Project” (Cardiff 2005) are characteristic of his way of working and reacting to context. He uses documentary material, sound, image, objects, and film with little editorial intervention in an attempt to create an authentic trace of their origins. He states that he “Understands art to be inseparable from our beliefs, thoughts and deeds which are in turn determined by place and time of birth.” “The place and time of birth create and form our consciousness. This in turn affects our personality, our nationality, religion and customs. Language depends on this. To raise ourselves from the plane set and to envisage critically our own position means to change ourselves. By changing place we are changing the formative context of our individuality.”  UNICULT FACULTY: 2015</image:caption>
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      <image:title>Faculty - NEBOJSA ZELIC</image:title>
      <image:caption>Nebojsa Zelic was born in 1980 in Rijeka. In 2004 he graduated from the Faculty of Humanities and Social Sciences at the University of Rijeka. He graduated with work called „Public justification in political conception of justice ”. Nebojsa enrolled Post graduated study of philosophy in 2006 at the Croatian studies in Zagreb but 2007 he returned in Faculty of Humanistic studies in Rijeka where he begun with his work. He finished school in 2012 with his work “The idea of public reason”.  Since 2007 he works as assistant on the Department of philosophy in Faculty of Humanistic studies in Rijeka. 2012 he becomes higher assistant.  From 2005-2007 he was an actor in puppet theatre. Also he was included in the field of production, he was in commission for preparation programs for Drama Academy in Rijeka.  He currently leads projects in theatrical productions in the Student Cultural Center. He has published in journals: Political Science, Croatian Journal of Philosophy, Ethics &amp; Politics, Philosophical Research and participated in a number of international scientific Conference. UNICULT FACULTY: 2015</image:caption>
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      <image:title>Faculty - LARA JELENC</image:title>
      <image:caption>Lara Jelenc, Asisstant Professor at Faculty of Economics, University of Rijeka. Holds PhD in Strategic Management, Faculty of Economics, Slovenia. Received  JFDP scholarship (Junior Faculty Development Program) in the USA. Training in executive coaching, NLP and strategic thinking. Member of USA Community of Croatia and Strategic Management Society. Active in non-profit organizations and service learning. UNICULT FACULTY: 2015</image:caption>
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      <image:title>Faculty - VJERAN PAVLAKOVIC</image:title>
      <image:caption>Vjeran Pavlaković was born in Zagreb, Croatia, and moved to the United States in 1978 at the age of four.  He received his PhD from the Department of History at the University of Washington in June 2005, where he completed his dissertation on Croatian volunteers in the Spanish Civil War.  He has published articles on refugee issues in the former Yugoslavia, war criminals and war crime tribunals, and democratization in Croatia, and co-edited the book Serbia since 1989: Politics and Society under Milošević and After, published by the University of Washington Press.  He is currently on an NCEEER post-doctoral fellowship in Croatia working on a book, Red Stars, Black Shirts: The Clash of Political Symbols in Contemporary Croatia. UNICULT FACULTY: 2015</image:caption>
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      <image:title>Faculty - IVANA KUNDA</image:title>
      <image:caption>Ivana Kunda, PhD, was employed as an Assistant to the Head of Department for European and International law at the Law Faculty, University of Rijeka. In year 2008 she had gained her PhD at the University of Zagreb, and in 2009 she became an Assistant Professor. Ivana Kunda got a research scholarship form the US government for postdoctoral research at the Columbia University, New York, USA. She is a guest lecturer at the European Academy of Law, Trier, and an Assistant Professor at the Universidad de Navarra, Pamplona. UNICULT FACULTY: 2015</image:caption>
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      <image:title>Faculty - IRMO</image:title>
      <image:caption>THE INSTITUTE FOR DEVELOPMENT AND INTERNATIONAL RELATIONS The fundamental mission of the Institute is developing and disseminating theoretical, methodological and technical knowledge and skills required for scientific and professional interpretation and evaluation of contemporary international relations which affect various human activities and related developmental trends important for the Republic of Croatia. Development tendencies are observed in the local, regional, European and global context. In its scientific and professional work the Institute focuses on various forms of interconnections between international relations and political, economic and socio-cultural development tendencies.</image:caption>
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      <image:title>Faculty - CUL-POL</image:title>
      <image:caption>Cul-pol is the biannual Jean Monnet project ‘EU Competences and National Cultural Policies: Critical Dialogues’ (September 2016 –August 2018) coordinated by IRMO’s Department for Culture and Communication aims to promote discussion and reflection on the impact of the EU agenda on the Croatian cultural policy.</image:caption>
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      <image:caption>Image: Music for Airports. Photo credit: Andrew Dubber. Courtesy: Unicult2020 © Unicult2020, Rijeka.</image:caption>
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